Example 1
X EXHIBITION
SenseTeam created a modular typographic system using “light characters” - 30cm, 60cm, and 90cm lighting tubes that were combined to create words and pictogram. The resulting sign age and branding “posters” were deployed around the city prior to the show, creating significant buzz about the upcoming event. They were also installed at the exhibition itself, helping to illuminate the gallery space and visually organize the exhibition.
The exhibition experience combined music, video, and the glowing 3D / environmental pieces, enriching the display of work by 11 young designers from five countries. The use of light symbolized the creative energy of the artists as well as the city of Shenzhen.
SenseTeam created a modular typographic system using “light characters” - 30cm, 60cm, and 90cm lighting tubes that were combined to create words and pictogram. The resulting sign age and branding “posters” were deployed around the city prior to the show, creating significant buzz about the upcoming event. They were also installed at the exhibition itself, helping to illuminate the gallery space and visually organize the exhibition.
The exhibition experience combined music, video, and the glowing 3D / environmental pieces, enriching the display of work by 11 young designers from five countries. The use of light symbolized the creative energy of the artists as well as the city of Shenzhen.
Example 2
THE PAPUNYA PAINTING EXHIBITION
National Museum in Canberra, includes many works on canvas, carvings and other objects.
The artwork is highlighted with a beam of light the will make more emphasize one the artwork being presented. having a dark room with lighting on the art work, makes the colours sharper and more visible to the audience. Use of colour and lighting features, maximize or exhibits highlighting local area, complete presentation image display content, creating a rich vivid atmosphere with artistic appeal, to achieve the best overall results show that we also need to continue to explore in practice.
National Museum in Canberra, includes many works on canvas, carvings and other objects.
The artwork is highlighted with a beam of light the will make more emphasize one the artwork being presented. having a dark room with lighting on the art work, makes the colours sharper and more visible to the audience. Use of colour and lighting features, maximize or exhibits highlighting local area, complete presentation image display content, creating a rich vivid atmosphere with artistic appeal, to achieve the best overall results show that we also need to continue to explore in practice.
Example 3
Wanli Expedition Exhibition
Client Leuchtenburg Foundation
Location Seitenroda, Germany
The scenographic concept recasts the historic exhibition rooms as a series of interlocking air bubbles. Seven spherical and elliptical spaces constructed from stretched fabric, detail the recovery of 700,000 Ming Dynasty porcelain artifacts recently discovered off the Indonesian coast. The exhibition is built as a sensual narrative with visitors greeted by the sound of the waves at the ocean's surface, followed by gasp of a diver's breathing apparatus and the ping of sonar, as the process of maritime archaeology is explained.
Visitors are invited to become active explorers of this underwater world. Mixed in with artifacts and the personal stories of the crew are several interactive stations. "Gearing Up" offers sets of masks, fins, weight belts and diving vests that visitors can try on. In a darken film room, two mounted "Search Lights" are fitted with ultraviolet spotlights; when guests graze the oval walls with UV light, facts and figures about the dive operations suddenly become visible, inviting playful interaction.
The exhibition engages through its use of media in the form of narrated film segments, rooms washed with atmospheric projections, and a digital logbook. As the excavation in Indonesia proceeds, information about the dives and weather conditions from the ship’s daily logs are remotely updated and displayed in the exhibition. This makes for an experience which is both highly contemporary and always offers visitors something new.
Client Leuchtenburg Foundation
Location Seitenroda, Germany
The scenographic concept recasts the historic exhibition rooms as a series of interlocking air bubbles. Seven spherical and elliptical spaces constructed from stretched fabric, detail the recovery of 700,000 Ming Dynasty porcelain artifacts recently discovered off the Indonesian coast. The exhibition is built as a sensual narrative with visitors greeted by the sound of the waves at the ocean's surface, followed by gasp of a diver's breathing apparatus and the ping of sonar, as the process of maritime archaeology is explained.
Visitors are invited to become active explorers of this underwater world. Mixed in with artifacts and the personal stories of the crew are several interactive stations. "Gearing Up" offers sets of masks, fins, weight belts and diving vests that visitors can try on. In a darken film room, two mounted "Search Lights" are fitted with ultraviolet spotlights; when guests graze the oval walls with UV light, facts and figures about the dive operations suddenly become visible, inviting playful interaction.
The exhibition engages through its use of media in the form of narrated film segments, rooms washed with atmospheric projections, and a digital logbook. As the excavation in Indonesia proceeds, information about the dives and weather conditions from the ship’s daily logs are remotely updated and displayed in the exhibition. This makes for an experience which is both highly contemporary and always offers visitors something new.